Eurovision Song Context

Episode 85: Eurovision 2026 w Suzie: The Good, The Bad, and the Absolute Hell Not

May 4th, 2026  |  1 hr 5 mins

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This week’s episode is a late-night Eurovision catch-up with Suzie from Euro Riffs, as we go through this year’s entries with zero structure and very strong opinions.

We cover the songs we love, the ones that might grow on us, and the ones that absolutely should not be anywhere near the final. Along the way: Switzerland’s “too good for Eurovision” moment, Moldova doing what Moldova always does, staging worries, guilty pleasures, and one entry that sparks a full-on rant.

If you’ve been listening to the 2026 lineup and trying to figure out what actually works, this is the unfiltered version.

Episode 84: Eurovision 2026: This Feels Off- with Mark Bowden

April 30th, 2026  |  1 hr 8 mins

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Bradley is joined by Mark Bowden to break down key Eurovision 2026 entries through a body language lens. Together, they analyze the UK’s “Look Mum No Computer,” Senhit’s star-powered “Superstar” (and whether bringing in Boy George can succeed where Flo Rida didn’t), and the current front-runners from France and Finland. They explore what performers signal on stage, why some acts connect instantly, and how confidence, authenticity, and staging can make or break a result.

Episode 83: Love It or Side Eye: Eurovision 2026 Breakdown with Russ

April 10th, 2026  |  1 hr 12 mins

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In this episode, Bradley is joined by Russ from EuroRiffs to go song-by-song through the Eurovision Song Contest 2026 lineup. With minimal editing and maximum honesty, they react to this year’s entries using their “love it, hate it, or side eye” framework.

They discuss standout tracks like Greece’s “Ferto,” question whether big ballads like Australia’s “Eclipse” can land, and debate which songs risk being repetitive, forgettable, or carried entirely by staging. Along the way, they get into jury vs televote dynamics, qualification chances, and why some entries feel unmistakably Eurovision, while others could come from anywhere.

Early predictions, strong opinions, and a few disagreements included.

Episode 82: Festival da Canção / SAMAs 2026: Double Sleepy or Deeply Portuguese? with Sheldon Rocha Leal

March 25th, 2026  |  1 hr 34 mins

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As part of their Eurovision coverage of national finals, Bradley and Sheldon turn to Festival da Canção 2026, breaking down the winner and standout entries including:

Napa – Rosa
Denise Motta – Juré
Sandrino – Disposto a Tudo
João Ribeiro – Canção
Silvana Peres – Não Tem Fim
Nunca Mates o Mandarim – Fumo
Inês Souza – Um Filme ao Contrário

They explore Portugal’s selection, questioning whether authenticity alone is enough to succeed at Eurovision, and unpack recurring themes of nostalgia, restraint, and cultural identity—along with a few pointed critiques of a notably subdued year.

The episode then expands beyond Europe into the South African Music Awards (SAMAs)—with Sheldon bringing first-hand insight as a SAMA jury member. He explains how judging works, how it compares to the Grammys, and what defines success in the South African music industry.

Along the way, they explore amapiano, global music trends, and the challenge of translating local sound to an international audience.

Listen first: We recommend listening to the songs using the link before this episode—then come back for the discussion.